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Sunday, April 13, 2014

3 Reasons Why Outcast Got No Love at Coachella



 
 When the news dropped that Andre 3000 and Big Boi would be reuniting for the first time in nearly 10 years on the Coachella stage this summer, hip hop heads rallied together in excitement to scream, HEEEYYYY YAAAAA!!  It seemed like the hip hop gods had answered our prayers, or at least gave us something to hold us over until Dr.Dre finally releases the Detox album. But to the surprise of the duo and us broke people who had to watch the music festival on the Coachella website, the thousands of people who were honored to be in attendance weren’t as hype as blog sites had projected.
While the crowd appeared relatively receiving of the 20 year anniversary reunion, the attendees were not hype enough for hip hop wild boy Andre 3000. Three Stacks swag bounced in a hoodie and denim overalls with his quick lipped partner continuously asking the crowd
“Are yall alive?”
 “Are yall tired?”
“ Yall still with us?”
“ Are yall not entertained?!” throughout the set, to generic applause from the crowd. Andre’s frustrations with the lukewarm crowd led him to perform the award winning hit Hey Ya! (2004) with his back to the crowd.
Why was the crowd so lackadaisical as if they weren’t watching legends perform? Was the crowd really that dead or was Andre’s expectations of the crowd a little too high? Here may be some reasons behind the borderline disrespectful response.
1)    The Coachella Crowd
In hindsight, maybe the Coachella Valley Music Festival wasn’t the best place for such an anticipated reunion. Coachella is known for bringing hipsters out of the H&M’s in suburbia to partake in a 2 weekend vacation at their parent’s expense. With the festival's roots in rock and roll, the Coachella audience has been slow to fully accept hip hop acts despite Coachella’s past legendary hip hop performances. (Jay Z, Kanye, Wu Tang Clan ,oh and can’t forget Tupac) More than likely, the fedora wearing, Orange County, rich kids couldn’t do much but bounce off beat to Outcast’s non main stream hits. Hell even something as epic as a live Tupac hologram got a mild roar from the audience back in 2012. Maybe Andre 3000 would have gotten the hype that he was wanting from the OVO Festival or Essence Music Festival crowds.
2)    Energy Attracts Energy
Any artist interview will tell you that artist tend to feed off the energy of the crowd. If the crowd is hype, artists feed of that and turn up with them. I could feel Andre 3000’s disappointment from my lap top computer screen. I can only imagine the amount of doo doo that he made the crowd feel like. The high power, energetic Three Stacks that hip hop heads had grown to know and love had been reduced to careless, rehearsal mode by the end of the set. Not saying it wasn’t rude as hell to perform with your back to the audience, but the crowd got out of it what they put into it
3)  It has been 20 DAMN YEARS
Good music is timeless; especially good hip hop. (Don’t believe me? Play Party Up (1999) by DMX. If you’re not sweaty by the time the song is over; you’re not listening right) Outcast had me bouncing up and down on my couch but let’s be honest, Outcast didn’t do the dreaded “crossover” into main stream until 2004.  Even a young music enthusiast like myself had to  Shazam some songs. It’s been 20 years since their first album release. Add 7 years of silence from the group and you got a pretty mixed up audience. Do you know how many babies have been made in the past 20 years?! That’s two whole generations that have gone through totally different eras of music. The poor little ratchets that grew up thinking think that  Crank That Soulja Boy (2007) was a hip hop classic doesn’t know much more of Outcast than a few verses from Andre 3000 over the years. Its not necessarily Outcast’s fault that their old but maybe a compilation album of hits before Coachella would have introduced the new generation to the magic that is Outcast.
 
 
 
Good news: Outcast will have a chance of a real reunion at OVO this summer. Drake won’t accept anything less than mosh pit status from his Toronto audience.
 
 
Check out the mildly historic performance  HERE